Hot Death, Cold Birth are pictures about the psyche, self and historical as buried and reborn enactments. The attention to aliveness of the body as subversive reverberates within the work. Representations of the natural world within the region of American Northeast intersected with equatorial flora, are merged.  An enlarged Chestunut tree, the almost extinct species of Northern America, a representation of a female figure as a totem, enlarged Whelk sea shells found along the eastern shore from Florida to Mexico, branches of a Maple tree intersect with an interior space speaking to the layers of the known, the unknown and perceived. These acts are evidence of dimensions and collapsing of existences captured as rituals for the camera.